B&W photo portrait of an elderly man on the left and an elderly woman on the right looking down.

‘A ball of blinding light’: Atomic bomb survivors share their stories

A photographer pays tribute to those who suffered from the bombs dropped on Hiroshima and Nagasaki nearly 80 years ago.

Left: Minoru Moriuchi (80*) NAGASAKI • 3 MILES FROM HYPOCENTER AT TIME OF BOMBING “On the morning of August 9, 1945, I was perched atop a giant persimmon tree in our backyard, catching cicadas,” says Moriuchi. Then “the sun exploded.” Right: Kumiko Arakawa (92) NAGASAKI • 1.8 MILES Arakawa, who died in 2019, lost both parents and four siblings in the bombing. “At age 20, I was suddenly required to support my surviving family members,” she said. *The ages are as of 2017, the year the portraits were taken.
ByYuki Miyamoto
Photographs byHaruka Sakaguchi
July 20, 2023
5 min read

When the U.S. dropped atomic bombs over Japan in August 1945, people were blown apart, burned, and crushed. Debris and ash descended as radioactive fallout, called black rain. The extreme heat of the explosions ignited massive fires that caused people to flee to rivers, where many drowned. 

(Who is Oppenheimer? The controversial man behind the atomic bomb.)

By the end of the year, the death toll from Hiroshima and Nagasaki totaled more than 200,000. But it didn’t stop there. Many who initially survived would later succumb to radiation-induced illnesses; sometimes their children, too, suffered from related ailments. Hibakusha is the Japanese term for “atomic bomb survivors”—but given the lasting damages of radiation exposure, it’s perhaps more accurately translated as “atomic bomb sufferers.”

On the left a B&W photo portrait of elderly woman with short hair and eyeglasses paired next to her handwritten note in Japanese characters on the right.
Sachiko Matsuo (83)NAGASAKI     •     0.8 MILE
“Peace is our number one priority,” says Matsuo in Japanese, above. As part of her project, photographer Haruka Sakaguchi asked bomb survivors, or hibakusha, to write down a message for future generations. For translations of all the messages shown here, complete testimonies, and details about the experiences of other hibakusha, visit 1945project.com.

At the time of the Hiroshima bombing, my mother was six years old and at home, a mile away from the hypocenter (the ground directly below the explosion)—or so I thought. She never told me about her experience, and I never asked about it, as the thought of facing her vulnerability scared me. I witnessed my mother’s suffering throughout her life—from Ménière’s disease in her 30s, “blood booster” shots in her 40s, and multiple cancers in her 50s. She died at age 62. My aunt later told me that my mother might have been even closer to the hypocenter, at an elementary school where hundreds of children perished.

On the left a B&W portrait of the Buddhist monk in eyeglasses paired next to his handwritten note in Japanese characters on the right.
On the left a B&W photo portrait of woman in white jacket paired next to her handwritten note in Japanese characters on the right.
On the left a B&W photo portrait of elderly man in dark suit paired next to his handwritten note in Japanese characters on the right.
On the left a B&W photo portrait of young man with little girl paired next to his handwritten note in Japanese characters and her signed name on the right.
Ryouga Suwa (84)HIROSHIMA     •     NYUSHI HIBAKUSHA 
Suwa’s parents died at his father’s Buddhist temple, and his 16-year-old sister never returned home. Suwa was a genbaku koji, an atomic bomb orphan, and a nyushi hibakusha, meaning he was exposed to radiation close to the hypocenter after the explosion. Before his death, in 2019, Suwa wrote (above, in part): “It would be ideal if we could all cultivate in us the ability to dignify each other instead of getting upset over our differences.”
Photograph by HARUKA SAKAGUCHI

My grandfather died from acute radiation sickness. My grandmother died from lung cancer. My cousin, whose mother was in Hiroshima that day, developed an autoimmune disease that took her life when she was in her 50s. I was grateful to reach 50. I never thought I would survive that long.

(Discover the secrets Oppenheimer protected and the suspicions that followed him.)

Knowing the horrors of atomic bombs, many hibakusha advocate for peace. Their vision became partially realized on January 22, 2021, when the United Nations Treaty on the Prohibition of Nuclear Weapons was put into effect, but neither the U.S. nor Japan has ratified it.

On the left a B&W photo portrait of elderly man in eyeglasses, posing in dark suit paired next to his handwritten note in Japanese characters on the right.
Fujio Torikoshi (86)HIROSHIMA     •     1.2 MILES
Just 14 when the bomb hit, Torikoshi was in front of his house looking for the planes whose engines he had heard. All he saw was a black dot. Then it burst into “a ball of blinding light that filled my surroundings,” he said in his testimony. He felt intense heat on his face, was swept off his feet, and passed out. When he regained consciousness, he tried to stop the burning sensation by submerging himself in water, which only made it worse. His injuries were so severe he wasn’t expected to survive past 20. Yet he lived many more decades, passing away in 2018. “Life is a curious treasure,” he wrote (above). “We cannot continue to sacrifice precious lives to warfare,” he said. “All I can do is pray—earnestly, relentlessly—for world peace.”

I tell the stories of hibakusha in the university courses I teach and on educational tours to Japan that I lead. Photographer Haruka Sakaguchi traveled there in 2017 to seek out hibakusha willing to share their experiences, which she preserves in her documentary project 1945. 

A National Geographic Explorer, Sakaguchi pays tribute to this ever shrinking community through portraits, testimonies, and messages to future generations. I’m grateful for her work, which serves our shared goal: to ensure that this atrocity and the ongoing plight of these people aren’t forgotten.

The National Geographic Society, committed to illuminating and protecting the wonder of our world, has funded Explorer Haruka Sakaguchi's work since 2022. Born in Osaka, Japan, and now living in New York, Sakaguchi often focuses on cultural identity and intergenerational trauma. Her photography has been featured in publications such as Time and exhibited at the Nobel Peace Center in Oslo.

This story appears in the September 2023 issue of National Geographic magazine.

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